00h20

            You were the section of my magazine You blew my mind like noone of the human kind You were the only one i could ever speak  This secret language between us and the sheets You made my mind and body so hot  You sent this wild child into a lady by night And when i met you long ago I was so alone My heart was beating so fast I had to write this song And it goes. You make me feel so beautiful It's like the sun is always shining when you are in control You are my Mr. Mystery and  There's no way I can explain the way that you make me feel Late night lovin' on your balcony  I'm feelin lovely at the knees who thought that would be me You lift me up to where I wanna be  You make everything so clear I can finally see You are the one that I always think about My first love that I made this song about You know me well and you always make me feel  Like i'm the one and I know your love is real I love it when you whisper in my ear You say the sweetest things that I wanted to hear I never thought I could feel this way And when I leave you in the morning I think of you all day I feel so peaceful after we make love I'll lay with you forever just like the sweetest joint And the whole worlds around us stops and stares It feels so good to fall asleep knowing that you are there Come on You make me feel so beautiful It's like the sun is always shining when you are in control You are my Mr. Mystery and .. There's no way I can explain the way that you make me feel And when you left me out this dayI thought you will come back anyway
Ya don't?, ya don't?, ya don't?

But that's ok I ain't gonna fall  I gotta get up and roll thats the way you want it  And I won't help it I'm off to search new love with my chance I might find better I can make sure you * a little bigger * And with the time you don't have to say it Damn I wonder why i broke up with that fuckin chick Now we're wasting all of this time lookin for girls to hit You are the one that I always thinkin' bout My first love that I made this song about You know me well and you always make me feel Like i'm the one and I know your love is real

I'm so alone,I can get her phone,I can call her back and ask her to take me back
Girl: Hello?
Guy: It's, it's me
Girl: Yea so?
Guy: I made a huge mistake
Girl: Uh huh yea you did

Ya don't?, ya don't?, ya don't?, Ya don't?, ya don't?, ya don't? Ya don't?

". ça n'aura pas d'impact, aucun, j'étais un souffle, Oui, je n'étais qu'un souffle .

. Ce p***** d'souffle qui te court le long des épaules, qui chemine sur la poitrine et qui courcircuite tes cheveux suivant la courbe de tes boucles , arrivant aux oreilles te donnent un "je t'aime Sarah" (qui peut parfois être gravé à jamais dans ton crâne) . Seulement pour ça, je me trouvais du talent ...          "

Gil Elvgren was an American painter of pin-up girls, advertising and illustration. He was active from the 1930s to 1970s. Today he is best known for his pin-up paintings for Brown & Bigelow.
Elvgren was one of the most important pin-up and glamour artists of the twentieth century.  In addition, he
was a classical American illustrator.  He was a master of portraying the feminine, but he wasn't limited to the
calendar pin-up industry. He was strongly influenced by the early "pretty girl" illustrators, such as Charles Dana
Gibson, Andrew Loomis, and Howard Chandler Christy.  Other influences included the Brandywine School
founded by Howard Pyle.
Elvgren was a commercial success.  His clients ranged from Brown & Bigelow and Coca-Cola to General Electric
and Sealy Mattress Company.  In addition, during the 1940s and 1950s he illustrated stories for a host of
magazines, such as The Saturday Evening Post and Good Housekeeping.
Although best known for his pin-ups, his work for Coca-Cola and others depicted typical Americans — ordinary
people doing everyday things.  The women Elvgren painted were never the femme fatale, the female
adventuress, or somebody's mistress.  They are the girl next door whose charms are innocently revealed in that
fleeting instant when she is caught unaware in what might be an embarrassing situation.

 

 

Well the morning was complete.
There was tears on the steering wheel dripping on the seat,
Several hours or several weeks,
I'd have the cheek to say they're equally as bleak!

It's the beginning of the end, the car went up the hill,
And disappeared around the bend, ask anyone they'll tell you that.
It's these times that it tends,
The start to breaking up, to start to fall apart
Oh! hold on to your heart.

Do me a favour, break my nose!
Do me a favour, tell me to go away!
Do me a favour, stop asking questions!

She walked away, well her shoes were untied,
And the eyes were all red,
You could see that we've cried, and I watched and I waited,
'Till she was inside, forcing a smile and waving goodbye.

Curiousity becomes a heavy load,
Too heavy to hold, too heavy to hold.
Curiousity becomes a heavy load,
Too heavy to hold, will force you to be cold.

And do me a favour, and ask if you need some help!
She said, do me a favour and stop flattering yourself!
How to tear apart the ties that bind, perhaps fuck off, might be too kind,
Perhaps fuck off, might be too kind.